Timber
Large-scale, intensively-managed and even-aged tree monocultures for timber production have been expanding onto communities’ fertile lands. They have destroyed forests and grasslands, especially in Latin America, Asia, and East and Southern Africa. The species used are exotic and fast-growing. They include varieties of eucalyptus, pine and teak trees.
After more than 50 years of struggle by peasant communities who have faced all kinds of environmental and social destruction, the highest court of Cauca Valley has ruled against the industrial plantation company, Smurfit Kappa Cartón Colombia.
One of the latent dangers that comes with the establishment of monoculture plantations—which is generally invisible—is the high use of agrochemicals. Agrochemicals support profits for plantation companies and their financiers, while poisoning life.
Adhere to this letter to denounce the greenwashing of the Finnish multinational UPM, which is trying to install a new pulp mill and expand the monoculture tree plantations in Uruguay.
The company, Portucel, considers its thousands of hectares of plantations in Mozambique to be “sustainable,” despite serious problems and conflicts with and among local communities.
The Network of Women’s Organizations of Tirúa, in south central Chile, is deploying strategies for life to prevail in this region. This territory has been threatened by the massive invasion of tree plantations, which state policies continue to promote.
The construction of the Suzano Pulp and Paper mill—along with nearby highways, the constant transport of wood, and the massive influx of workers—has brought a lot of devastation to communities. This is the testimony of an activist who is fighting for the territory.
As a condition to install its second pulp mill, the company UPM demanded that the Uruguayan state build a new railroad from the site where UPM plans to locate its mill to the port. The government would cover the costs of these infrastructure projects at the service of UPM.
The expansion of oil palm and logging in Wimbí is a fact. And in both cases, the protagonist is the same: the land trafficker who allowed the palm company, Energy & Palma, to enter. This new cycle of dispossession threatens the culture and survival of the community.